On Tuesday, September 15, 2015, The Sydney Morning Herald published an
article written by Mark Kenny, titled Turnbull
calls for era of fresh vision with the sub-title Showdown: ‘It will be a thoroughly Liberal government’ (Kenny, 2015a;
Appendix A), following the dramatic event happened on Monday, in which the
federal government’s by then communication minister Malcolm Turnbull called for
a special Liberal Party meeting to vote for a new party leader and prime
minister for the nation. The equivalent online story on The Sydney Morning
Herald’s website is titled Liberal
leadership: Malcolm Turnbull defeats Tony Abbott to become PM (Kenny,
2015b).
This article's purpose is to analyse the news story, in regards to the
genre of the article and the staging of events. It will also investigate the
visual image accompanying the article, focusing on its orientation,
presentation, ambience, representation and its relationship with the news
article.
1.
The news article
1.1. The genre
The purpose of the article is to inform and give description of what had
taken place – the leadership spill of the Liberal Party. It conveys detailed descriptive
information of the incident, including the “who,
what, when, where and why” (Feez, Iedema, & Rose, 2008,
p.71). Therefore, this piece of news article is classified as “hard news”,
which functions majorly as chronicling or updating readers with latest updates
of what has happened in the community (Feez et al., 2008, p.71). Further, Bell
(cited in Bednarek, & Caple, 2012, p.191) defines hard news or spot news as news that report “accidents,
disasters, crimes, coups and earthquakes, politics or diplomacy”. In this case,
the article written by Kenny is a political story, recalling the leadership
challenge that happened on the day prior, which The Sydney Morning Herald
described as “The Coup” on its front page on the same day (Appendix B).
1.2. The basic structure
Bednarek and
Caple (2012, p.96) note that a typical structure of hard news stories consists of
three parts, known as the headline, the introduction or the lead, and the body
or the lead development, while Feez et
al. (2008, p.69) suggest an optional stage following the lead development, the
wrap-up.
Kenny’s article can be seen as one that follows the above structure,
including the optional wrap-up stage. The headline part, as mentioned, is the two
phrases “Turnbull calls for era of fresh vision” and “Showdown: ‘It will be a
thoroughly Liberal government’” (Kenny, 2015a). The lead, as with most cases,
is the first paragraph of the article (Kenny, 2015a):
Malcolm
Turnbull has been elected as the nation’s 29th prime minister, after
launching an all-or-nothing leadership challenge on Monday afternoon in which
he quit the frontbench, declared Tony Abbott had failed as leader, and told
colleagues that sticking with him would only make Bill Shorten the next prime minister
of Australia.
The body text
begins from the following paragraph, starting with “the more moderate Mr
Turnbull emerged victorious from a tense late-night meeting of the Liberal
party room…” and ends with “‘He has not been capable of providing the economic
confidence that business needs’” (Kenny,
2015a) in paragraph 24. The remaining final paragraph, then, is the wrap-up
element of the story, “Mr Turnbull gave no hint of favouring an early election
if elected, but the new dynamic has made the timing of that impossible to
predict” (Kenny, 2015a).
1.3. The nuclear model of text structure
The headline
and the lead of news articles carry the most important information and
distinguish the main angle of the story, which are then elaborated with
detailed information in the body text (Feez
et al., 2008, p.81-82).
The headline and the lead in Kenny (2015a) present the main idea of the
article, that Malcolm Turnbull had been elected as the prime minister and that
he promised for a reform, while the body paragraphs include additional
information such as Turnbull addressing the press for two times on the day, the
divided Liberal party, the long-term implications of the challenge and
leadership changeover, and, most importantly, the late-night meeting and the
ballot results.
The nuclear model of text structure noted by Feez et al. (2008, p.83) is
thus applicable in this news story analysis. The extra elaborations of the
article mentioned above are known as satellites, while the headline and the
lead are called the nucleus. Satellites do not necessary form a chain that
links together, but they are linked to the lead by expanding on the information
provided there (Feez et al., 2008, p.83).
Figure 1 shows the nuclear model for this specific news text. The blue
box is the nucleus while the orange circles denote the various satellites.
Figure 1 Nuclear model of text structure for the article |
1.4. The temporal order of events revealed
Compared to news articles in the early 19th Century, which
news stories are written chronologically according to the events happened, the
beginning of the issue always starts the article while the ending of the event
is always at the end, news stories published nowadays have the chronology of
the events distorted. The principle of the structure is no longer based on how
events realistically unfold, but based on the importance of certain information
considered to be (Feez et al., p.79).
This article
published in The Sydney Morning Herald also follows the modern approach to
order the events within the news story. Table 1 lists the major events revealed
in the article, in chronological order.
1
|
Malcolm
Turnbull served as opposition leader (until 2009)
|
2
|
Julie
Bishop’s intervention and confrontation to Tony Abbott
|
3
|
Parliament
Question Time, 2:00pm, 14 September 2015
|
4
|
Malcolm
Turnbull prepared for leadership challenge, afternoon, 14 September 2015
|
5
|
Malcolm
Turnbull advised Tony Abbott about the contest, 3:30pm, 14 September 2015
|
6
|
Malcolm
Turnbull addressed the press, 4:00pm, 14 September 2015
|
7
|
Liberal
MPs expressed support and the divided party
|
8
|
The
Liberal meeting, 9:15pm, 14 September 2015
|
9
|
The
release of the ballot results, 9:50pm, 14 September 2015
|
10
|
Malcolm
Turnbull addressed the press, 10:40pm, 14 September 2015
|
11
|
Canning
by-election, 19 September 2015
|
12
|
General
election, 2016
|
Table
1 Major events within the article
Table 2 shows all
of the phrases and sentences in the article classified into these major events,
ordered chronologically. The article in its text-time order with these event
numbers is in Appendix C.
1
Malcolm
Turnbull served as opposition leader (until 2009)
|
with whom he served as opposition leader until 2009, Julie
Bishop
|
2
Julie
Bishop's intervention and confrontation to Tony Abbott
|
As both deputy Liberal leader and the government’s most senior
minister on the ground in Canning
|
Ms Bishop’s intervention was crucial
|
|
It is understood she told Mr Abbott his government had utterly
failed to communicate its key economic message to voters
|
|
Ms Bishop confronted Mr Abbott with the news he had lost the
confidence of the majority of the party room and would face an imminent challenge
from his communication minister, Mr Turnbull
|
|
3
Parliament Question Time, 2:00pm, 14 September 2015
|
when Mr Turnbull made his move following question time
|
4
Malcolm Turnbull prepared for leadership challenge, afternoon,
14 September 2015
|
The leadership change-over, which came just days before
|
after launching an all-or-nothing leadership challenge on Monday
afternoon
|
|
in which he quit the frontbench
|
|
was designed to reconfigure the government
|
5
Malcolm Turnbull advised Tony Abbott about the contest, 3:30pm,
14 September 2015
|
Mr Turnbull advised the Prime Minister that he no longer enjoyed
his confidence at a 3.30pm meeting
|
in which he advised he intended to contest the leadership
|
|
and requested the position be declared vacant to facilitate a
ballot
|
|
6
Malcolm Turnbull addressed the press, 4:00pm, 14 September 2015
|
In a statement aimed as much at party-room doubters as the
public, Mr Turnbull said
|
Mr Turnbull’s decision was announced via a live press statement
at 4pm
|
|
Explaining his move, Mr Turnbull unloaded on Mr Abbott
|
|
declared Tony Abbott had failed as leader
|
|
declaring the government was drifting without economic
leadership
|
|
the government had not been successful in ‘‘providing the
economic leadership that we need’’
|
|
‘‘It is not the fault of… the economic confidence that business
needs.’’
|
|
and had offered slogans rather than explanations for policy
|
|
Promising a more consultative style devoid of Mr Abbott’s
slogans and captain’s picks
|
|
and told colleagues that sticking with him would only make Bill
Shorten the next prime minister of Australia
|
|
‘‘This is not a decision… over a long period of time.’’
|
|
Mr Turnbull gave no hint of favouring an early election if
elected
|
|
7
Liberal MPs expressed support and the divided party
|
Despite inflated claims of support by both sides as they sought
to create momentum
|
but has left it riven with divisions
|
|
after a brace of senior ministers are understood to have shifted
away from Mr Abbott, led crucially by Ms Bishop
|
|
It came after key ministers, marginal seat MPs, and even some in
relatively safe seats around the country, previously loyal to Mr Abbott, had
decided they were heading for defeat under his leadership.
|
|
Among a slew of casualties from the meltdown of the Abbott
operation were some of the federal government’s most senior and prominent
figures including Treasurer Joe Hockey, Senate leader Eric Abetz, and Defence
Minister Kevin Andrews.
|
|
8
The Liberal meeting, 9:15pm, 14 September 2015
|
The showdown came to a head
|
The more moderate Mr Turnbull emerged victorious from a tense
late-night meeting of the Liberal party room
|
|
That came within hours
|
|
9
The release of the ballot results, 9:50pm, 14 September 2015
|
The result came at the end of an acrimonious day after
|
the outcome in the end was decisive, with Mr Turnbull winning 54
votes to 44
|
|
An attempt by Abbott loyalist Kevin Andrews to knock off Julie
Bishop as deputy was also spectacularly unsuccessful with Ms Bishop strongly
re-endorsed 70 votes to 30
|
|
Malcolm Turnbull has been elected as the nation’s 29th prime
minister
|
|
has been reunited in the leadership team with the deputy
|
|
10
Malcolm Turnbull addressed the press, 10:40pm, 14 September 2015
|
At his first media conference after the ballot
|
Mr Turnbull on Monday night said he was humbled
|
|
and called for an era of fresh vision and consultative
leadership
|
|
“We need to have in this country… that is innovative, that is creative.”
|
|
Mr Turnbull paid tribute to Mr Abbott, saying the nation owed
him a great debt
|
|
“I want to say at the outset… he has led have been formidable.”
|
|
11
Canning by-election, 19 September 2015
|
a hard-fought byelection will be decided in the Perth seat of
Canning
|
12
General election, 2016
|
ahead of a general election due within a year
|
and was heading for electoral defeat at the general election
whenever it was held
|
|
but the new dynamic has made the timing of that impossible to
predict
|
Table
2 Major events revealed in
the article and their respective sentences
A
text-time/field-time diagram could then be drawn to show how the text presents
the events in a non-chronological order. Figure 2 is the diagram for this
particular news story.
Figure 2 Text-time/field-time diagram for the news article |
1.5. The inverted pyramid model
The editorial
decision of this order of events can be explained by the inverted pyramid
model. Since the satellites or the events revealed are not of the same
importance for the news story (Feez et al., 2008, p.81), journalists choose the
most significant information for the beginning of articles and the least
significant one at the end. The less important details contribute to the story
but do not affect readers’ understanding of the issue if they are left unread.
For ease of
analysis, the article can be divided by two at the approximate mid-point, after
paragraph 13. For this particular news story, the focus of Kenny (2015a) is the
new prime minister calling for a new era of fresh vision for the country. Therefore,
the first half of the story addresses the significant information that
contributes to the main argument, including, the most important ones, the party
meeting and the ballot results, detailed information that led up to the ballot
such as Julie Bishop’s intervention and Malcolm Turnbull’s preparation for the
challenge, Malcolm Turnbull’s addressing the media before and after the party
meeting, which includes him talking about his future vision and promise to the
country. The second half then presents other less important details such as the
Canning by-election on September 19 and the national general election in 2016, Malcolm
Turnbull’s notifying Tony Abbott about the upcoming challenge, as well as his
address to the media before the party meeting, in which he talked about the
problematic Tony Abbott government.
The story ends
with a wrap-up that invites readers to think about the upcoming general
election in 2016, and to pay attention whether the new Malcolm Turnbull
government will push that into an earlier time, “Mr Turnbull gave no hint of
favouring an early election… but the new dynamic has made the timing of that
impossible to predict” (Kenny, 2015a).
Therefore, this
news article is said to be following the inverted pyramid model, with an
additional satellite as a wrap-up, which contributes significantly to the
development and the argument of the news story.
2.
The accompanying image
Figure 3 shows the
accompanying image of the news story, captioned, “Malcolm Turnbull [left] and
Julie Bishop [right] at their news conference” (Kenny, 2015a).
Figure 3 The accompanying image of the news story |
2.1.
Orientation
Orientation
of images considers the relationship between the viewer and the image (or the
producer of the image) and their interactions (Kress, 1996, p.119). It is
divided into 5 factors, namely contact, affect, involvement, social distance,
and power (Martin, 2015a).
Contact,
first of all, is defined as the eye contact between people, including that with
the viewer. It is either engaged or observed (Martin, 2015a). In the above
image, the contact between Malcolm Turnbull and Julie Bishop is observed, since
Turnbull was not looking at Bishop though she was looking at him. Bishop’s
contact with the audience is also observed, while Turnbull has an engaging
contact with the journalists (the audience). Though he was not looking directly
at the camera, due to the low angle shot by the photographer, it is believed
that he was engaging with the audience in his press conference.
Affect
considers the facial expression and the bodily stance of the persons presented.
It is a choice between positive and negative (Martin, 2015a). The image
presents smiling faces of both Malcolm Turnbull and Julie Bishop. Seeing their
teeth, it can also be said that they were laughing at that moment. They were
both standing straight rather than leaning forward or backward that may appear
to be slouched.
Viewers’
involvement with the image is defined by the horizontal angle of the viewpoint.
A frontal angle presents an inclusive involvement, while an oblique angle
provides an exclusive involvement (Martin, 2015a). The involvement brings by
the photograph can be said as inclusion, as it was taken from a frontal angle
of Malcolm Turnbull and Julie Bishop, although Bishop turned away from the
camera at that point of time.
Social
distance, either intimate, social, or public, is considered by the shot-type.
“The closer a subject or object in an image is to the viewer, the higher the
sense of involvement” (Feez et al., 2008, p.252). The image presented shows the
body, or part of the torso, of both Turnbull and Bishop, thus is considered as
a medium shot. It demonstrates an average social distance, also known as a
supervision distance, between the two and the audience.
The
final one in the orientation systems, power, is considered as either viewer
superior or inferior, or equal, which is defined by the vertical height of the camera
angle (Martin, 2015a). Since the bottom of the nose and the chin of both
Malcolm Turnbull and Julie Bishop can be seen, it is considered that the
photograph was taken from a low angle. Thus viewer is inferior in this case, in
other words, the subjects (Turnbull and Bishop) were presented superior.
2.2. Presentation
Presentation
of images is the way in which they are composed (Feez et al., 2008, p.254). It
is usually analysed with the vertical and horizontal axis, by reading from the
left to the right or from the top to bottom, which represents the relationship
between ideal and real, or between given and new (Martin, 2015b). However, this
analytical tool is inapplicable in this case, since the image is not polarised.
It is apparent that Malcolm Turnbull is not the “given”, nor “previous”, while
Julie Bishop is not the “new” prime minister, even though the image has
presented them left and right.
Despite
that, the image can be considered as a triptych one. It can be divided into
three parts horizontally – Malcolm Turnbull on the left, the Australian flag in
the middle, and Julie Bishop on the right. Turnbull and Bishop on the two sides
can be considered as complimenting the national flag in the middle, which is
the main element of the image.
2.3. Ambience
Ambience
is the mood created by utilizing the interpersonal meaning choices in images to
work on the viewers’ feelings (Painter, 2008, p.91). The ambience network is a
desirable approach to define the ambience of an image, which is presented in
Figure 4 (Painter, 2008, p.92).
Figure 4 Ambience network |
The
image is, first of all, an infused ambient image (Painter, 2008, p.94), since
it is not an outline drawing but a fully coloured photograph. Nor it is a
defused image, which makes use of some shading and other textured effect, and
is based on an outline drawing. It is also an activated image which uses full
colour, rather than a denied image that uses the black colour only (Painter,
2008, p.96). At this stage, as an ambient, infused, activated image, the
analysis can be further split into three features of colour, vibrancy, warmth
and familiarity (Painter, 2008, p.97).
Vibrancy
is the degree of colour saturation (Painter, 2008, p.97). In this image, the
saturation is maximal, since the national flag is in its full colour, though
Turnbull and Bishop, especially their shirts and suits, are mainly in reduced
saturation. Therefore, the image is considered a vibrant one.
Warmth
considers the choices of colour hue, which distinguishes colours mainly into
warm and cool (Painter, 2008, p.99). Painter (2008, p.99) lists shades of red,
orange and yellow as warm colours, while cool ones include shades of blue,
green and aqua. Except greyscale, the image is dominated by blue, red, and orange.
It can therefore be considered that the image carry both warm and cool hues, which
is classified as a balanced image in terms of warmth.
Finally,
familiarity is the colour differentiation in the image – the use of different
colour hues. A familiar sense is created when a full palette of colours is
used, while a sense of removed is created when it is restricted to shades of
one or two colours (Painter, 2008, p.101). This image is restricted to a few
hues on the colour palette only, mainly red, orange, and blue, as mentioned,
without the presence of other colours such as yellow, green, and aqua. However,
this does not remove the image from reality since it is believed that, in that
situation and environment, the other colour hues were absent. Therefore, the
image in this case does create a sense of the familiar.
2.4. Representation
Representation
considers the content of the image itself, which can be analysed by the action
in narrative images and by the conceptual representation in analytic images. Since
this is an action-based image rather than a conceptual, static image, the
analysis will look for actions (angled vectors), gaze (eye vectors), speech and
thought bubbles, and “imagic” sound words (Martin, 2015c).
The
image in this case sees Malcolm Turnbull and Julie Bishop standing in front of
the press, which is considered action-less. However, an eye vector is presented
as Bishop was looking at Turnbull. Thus, the image is transactional with the
presence of the gazing element. Speech and thought bubbles, as well as “sound
words”, are both absent.
2.5. Relationship with the news article
Summarising
the visual analysis of the image, Malcolm Turnbull did not look at the camera
directly, but since the photograph was taken from a low angle, it is believed
that he was looking at the camera’s direction, making eye contact with other
journalists. With the smiling faces of both Turnbull and Bishop, the image
presents a positive affection towards viewers’ emotion. The frontal angle and
the medium distance used to take the photograph, brings an average social
distance and an inclusive viewers’ involvement with the subjects. In terms of
presentation, the image is presented with a triptych composition, with Turnbull
and Bishop on the two sides and the Australian national flag in the middle. As
for the ambience of the image, although only a few hues are presented in the
photograph, it is considered that it does represent the reality since Turnbull
and Bishop were both wearing greyscale-coloured suits. The image also contains
both warm and cool colours with vibrant saturations. Last but not least, the
gaze vector of Julie Bishop looking at Malcolm Turnbull, together with the
above summarised analysis, create the following possible interpretation of the
image and the relationship with the news article itself.
The
first one is that Malcolm Turnbull, Julie Bishop, and their team look forward
positively and passionately to the “new era of fresh vision” and to their
government/policy reforms, which is mentioned in Kenny’s news article. This is
demonstrated by the cheerful facial expression. Moreover, Julie Bishop’s gazing
at Turnbull shows that she was grateful for him and is proud to be his deputy
party leader.
Secondly,
Turnbull and Bishop are, or appear to be, confident with their upcoming year in
office, that they will perform much better than Tony Abbott and his team. This
is demonstrated by the low angle photography that gives the pair a sense of
superior power.
Finally,
the triptych composition of the image presents the Australian national flag in
the middle, featuring the white Commonwealth star, which represents “the unity
of the six states and the territories of the Commonwealth of Australia” (Commonwealth
of Australia, 2012, “Symbolism”, para. 5). Together with the low angle
photographic style, it can be said that the photographer has demonstrated his
confidence in the pair to govern Australia, the six states and the territories,
well.
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Iedema, R., & Rose, D. (2008). Media literacy.
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Kenny, M. (2015a,
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(2015c). LNGS7274 Media Discourse,
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